Greenberg spent nearly 24 hours playing that one battle during development. [22] When Sephiroth battles Cloud, both of them disappear, with Sora believing that they went somewhere else to continue their fight. [17][18] Overall, the album sold 148,000 copies as of January 2010, with the limited edition selling a further 21,000. [32] The tracks were composed by Nobuo Uematsu, Keiji Kawamori, Kenichiro Fukui, and Tsuyoshi Sekito, and arranged by Fukui, Sekito, Kawamori, Shirō Hamaguchi, and Kazuhiko Toyama. Released in 1997, the game sparked the release of a collection of media centered on the game entitled the Compilation of Final Fantasy VII. [58] With the release of the movie Sephiroth was also included in a series of promotional material, primarily consisting of posters. [1], The soundtrack covers a wide variety of musical genres, including rock, techno, orchestral, and choral,[14] although the soundtrack as a whole is primarily orchestral. GameSpy placed him eighth in their 2014 list of top villains in games, commenting on how difficult it is to defeat him in Final Fantasy VII. [48] Gann was more lenient, praising Ishimoto for writing "an excellent soundtrack" and being especially happy with the quality of the arrangements of Uematsu's pieces. As this soundtrack album was released after the soundtrack to Crisis Core, these pieces were generally not included in the Before Crisis album. "[88] When comparing Sephiroth with the Final Fantasy VI villain, Kefka Palazzo, GamesRadar commented that he "seems as interesting as a dead accountant painted brown. The character was voiced by voice actor Toshiyuki Morikawa in Japanese. The album contains a mix of orchestral and rock tracks, with some orchestral performances of slow compositions and marches and both styles of music used for faster-paced "threatening" and "dynamic" tunes. The incident at Nibelheim is also featured in the game. Sephiroth has been well-received within the video game community and is highly ranked on many lists of the best video game villains and Final Fantasy characters based on his role in the narrative and the difficulty that it takes to defeat him. [95] His boss battle was also shown in 1UP.com's "25 More of the Most Badass Boss Fights Ever" in which the staff praised how the original battle from Final Fantasy VII was expanded in the title. [7][8] However, a few years later, Sephiroth appears once again, determined to continue with his mission. [24], Final Fantasy VII Reunion Tracks reached No. While the record was never published outside Japan, the music is available in the North American iTunes Store. [39] Nomura has called Sephiroth "the ultimate antagonist in the Final Fantasy VII saga. [60][61] Independent but officially licensed releases of Final Fantasy VII music have been composed by such groups as Project Majestic Mix, which focuses on arranging video game music. Set after the end of Final Fantasy VII but prior to the events of Advent Children, the story deals with Aerith and Sephiroth's journeys through the Lifestream, and Sephiroth's creation of Geostigma, a disease that infects anyone who came into contact with the tainted Lifestream. Upon discovering this, Sephiroth decides to follow what he believes to be his destiny and take control of the Planet, while Cloud and the game's other protagonists attempt to stop him. [28] The soundtrack album reached position #15 on the Japanese Oricon music charts, and stayed on the charts for 10 weeks. In relation to Crisis Core, IGN AU stated that "even Sephiroth gets his moments in the sun," praising the depth in his backstory, which would later make his boss battle more entertaining. [83] Also referring to the scene as a shocking moment, GameSpot suggested that the FMV sequence of Sephiroth appearing in front of the Nibelheim fire "might be one of the most recognizable cutscenes ever to grace video games. Products not connected to the release of the games or films have also been produced. The soundtrack includes all the music from the multiplayer mode and some music from the single-player game which did not appear on the previous soundtrack album, including two tracks composed by Ryo Yamazaki for the North American release of the game.

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