panasonic 65 oled review
Brightness and contrastOLED's lack of a backlight lets it produce perfect blacks without unsightly halos around bright objects on a dark background.
Also, this 65-inch model is the only OLED TV in Panasonic’s 2015 TV range, whereas LG is now boasting about having 10 different models with a variety of feature options for consumers to choose from. Gaming showed off the HZ1500’s audio capability at its best too. backed by Christopher Nolan and Martin Scorcese, Pixel 5 and Pixel 4a 5G prices and colors leaked by multiple retailers, The PS5 really is a gigantic console, as this drawn-to-scale illustration proves, Microsoft kills off Windows 10 update that had been slowing down PCs, Windows 10 running Android apps via Your Phone is fully rolled out – and the feature will soon get even better, HDMI 2.1 isn’t necessary for PS5, says Sony product manager, Popular password manager could have a critical vulnerability, New PS5 images offer the best look yet at the console’s size, Sony's flagship 4K OLED TV is now available – and it's way cheaper than we thought, Dolby Vision IQ for improved HDR pictures. Wait for the HZ980 model, or check out last year's LG B9 OLED for a true value OLED. Tested here is the 55-inch version (full name, Panasonic TX-55FZ952B, tested here), priced at £2499 at the time of review. All rights reserved. With the Disney Plus app already on a host of streaming sticks, as well as Samsung TVs and LG TVs, this is a bit of a disappointment – and as the biggest streaming service launch of recent months, a very surprising absence. Panasonic's OLED doesn't disappoint, with incredible detail in the darkest parts of the picture to let you peer into the deepest shadows. Panasonic has got its OLED screen mounted in a jet black ‘monolith’ artificial wall, and whenever the demo reel content contains almost completely black content it’s almost impossible to see where the screen ends and the black wall starts. Sign up to get breaking news, reviews, opinion, analysis and more, plus the hottest tech deals!
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Despite all this, Panasonic’s OLED TV is a prime contender for the best TV at this year’s CES, for the simple reason that its picture quality looks downright amazing. Apple One service subscription coming to A/NZ later in the year, Australia overhauls bankruptcy laws to help firms over COVID-19, Employment Hero's new marketing director on the power of human-to-human marketing, - Entry-level model lacks Absolute Black Filter. Trusted Reviews may earn an affiliate commission when you purchase through links on our site. The HZ1500 is also calibrated by Hollywood colorist Stefan Sonnenfeld (The Force Awakens), and the result is a knockout picture boasting both smooth motion and exceptional contrast. There’s a dedicated game mode too to smoothen out the refresh rate, which – especially in online matches or fast-moving action – can be a big boon. Visit our corporate site. The rear of the television isn’t quite as intuitive, with an uneven surface and indents that require you to reach at awkward positions to attach anything via cable (like HDMI) – largely because these ports have been built around the ‘tower’ structure of the upward-firing speakers.
The result is phenomenal contrast which contributes to amazing overall picture quality.Panasonic's OLED panel pumps out 900 nits brightness, roughly on par with LG's OLEDs, making both of them easier to watch in a brightly-lit room than previous generations of OLED. The Panasonic OLED is a native 4K affair, and every last pixel of this resolution is put to use in joining forces with the colour and luminance precision to deliver an image of breathtaking clarity and detail. You watch a lot of Disney movies. You’ll find a minimal-bezel screen with a ‘blade speaker’ (integrated soundbar) attached on the lower edge, all of which pivots on a circular stand that makes it beautifully easy to adjust the exact angle the TV screen is pointing. Perhaps the ultimate testament to the quality of the Panasonic OLED picture is the fact that Panasonic has felt confident enough to feed its screen plenty of really quite naturalistic video footage for its demo, as well as the ‘primary colour against black backdrop’ stuff more typical of OLED demos.
Filmmaker Mode, aimed at restoring ‘what the creator intended’, feels less necessary, given the light touch that Panasonic gives in the processing department anyway.
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