First off here’s the Lumix FZ330 / FZ300 in its 4k / 25p mode at 100 Mbit/s. Most obviously, the smaller aperture means it’s necessary to select a slower shutter speed – with the risk of camera shake or subject movement – or a higher ISO sensitivity setting to maintain a sufficiently fast shutter with noisier images as a result. The body is bigger and a little heavier, it feels sturdier and the control layout has become more complex. There's also a brand-new 4K feature which was released in late 2015 via the firmware v2.0 update. For bonus points, it even includes a touch-screen overlay that lets it be used to select subjects for focus, control menus, and more. As you can see from the crops above I was able to avoid camera shake down to 1/20th. Above left: Panasonic Lumix FZ330 / FZ300 at 36.1mm (200mm equivalent) f2.8, 100 ISO. Thank you for signing up to TechRadar. Multi, centre-weighted and spot metering are all available, along with exposure bracketing by up to three stops, over up to seven frames. The FZ330 is a worthy successor to Panasonic's excellent FZ200, and the addition of 4K shooting, a touchscreen and speedier performance make … Or of course once the image is copied into your device, you could just exit the Panasonic app and handle it direct from whichever sharing or storage app you like via your phone’s gallery.

Several other autofocus options are also available. Here’s a version in 1080 / 50p. But while the 100 ISO crop isn’t squeaky clean the noise doesn’t increase dramatically stepping up to 200 ISO. For this clip the camera was mounted on a tripod and the stabilisation was disabled. The Sony RX10 II’s sensor is producing much cleaner images with a lot less noise than those from the Lumix FZ3300 / FZ300. The next specification to examine is the focal ratio which as you know is a constant f2.8 throughout the optical ranges of both the FZ330 / FZ300 and Sony RX10 II.

When we reviewed the FZ200, we noted our desire for better autofocus at longer focal lengths, and that seems to have been improved as well, though we no longer have an FZ200 to compare to. Longer super-zooms (or those squeezed into smaller bodies) become optically dimmer / slower once they get beyond the medium telephoto range and the drawbacks of this are two-fold.

Compared with the 8.3x zoom on the Sony RX10 II though, the FZ330 / FZ300’s range is huge. You can see for yourself in my night-time test shots below – look at the bright part of the image around the streetlamp bulb, for instance, and you’ll see noise, but as a whole the picture is fairly sharp and clean. The screen is 3:2 proportioned, so there are narrow black bars down either side when shooting stills in the sensor’s native 4:3 proportions; conversely when shooting 16:9 HD video you get narrow black bands top and bottom.

Weatherproof all-in-one with a f/2.8-aperture lens. The FZ330 has three 4K Photo modes: 4K Burst Shooting, 4K Burst (Start/Stop) and 4K Pre-burst. The Panasonic FZ300 retail package contains the following items: Imaging Resource © 1998 - 2020. Finally, Post Focus can make a difference to your macro shots. Reviews - LUMIX Best Bridge Camera DMC-FZ330 | Panasonic UK & Ireland The movie button occupies the same position just behind the shutter release and there are two programmable function buttons, Fn1 doubling up as the default exposure compensation button. For this test the cameras were mounted on a tripod and image stabilisation was disabled, the ISO sensitivity was manually set to the lowest available setting and Aperture priority mode was selected for the exposure. That change brings with it a half-frame per second increase in performance with autofocus enabled, according to Panasonic.

image stabilization system of the FZ200, the new model now sports a five-axis Hybrid O.I.S. Download the original file (Registered members of Vimeo only) On the left side of the lens barrel, conveniently situated for your left thumb there’s a second zoom rocker and behind that where the FZ200’s focus selector switch used to live there’s now a second control dial. While other bridge cameras might offer greater optical zoom range, they need to close down the aperture size the further the zoom moves towards the telephoto end.

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