Hurston’s disillusionment is fully evident in her mordant, angry journalism of the nineteen-forties, in which she witheringly commends the Southern custom of whites favoring their own “pet Negroes” (and their eager pets returning the favor) as a functioning racial system, and rails against the substandard Negro colleges she calls “begging joints.” The title of one article—“Negroes Without Self-Pity”—speaks for itself. Claudia Roth Pierpont on the author of “Their Eyes Were Watching God. In many ways, they found precisely what they wanted: John Hurston became a preacher at the Zion Hope Baptist Church and served three terms as mayor. For many who have embodied it in literature—Nietzsche, Whitman, Lawrence, Hurston—it is a passionate dream of health (dreamed while the simply healthy are sound asleep) which stirs a rare insistence and bravado. . His daughter’s depictions of this self-ruled colored Eden have become legend, and in recent years have seemed to hold out a ruefully tempting alternative to the ordeals of integration. Probably no one except her mother influenced Hurston more. She had to try to make up for all of this, and more. The heroine of “Eyes,” Janie Crawford, is raised by her grandmother, who grew up in “slavery time,” and who looks on in horror as black women give up their precious freedom for chains they forge themselves. All this Hurston brought to “Their Eyes Were Watching God”—a book that, despite its slender, private grace, aspires to the force of a national epic, akin to works by Mark Twain or Alessandro Manzoni, offering a people their own language freshly caught on paper and raised to the heights of poetry. But to reach this peace Arvay must admit, after years of pretense, that she is not really proud of her own miserably poor and uneducated family, that poverty and ignorance lend them neither moral superiority nor charm, and that she is, in fact, shamed and disgusted by them. “How come you so against black?”, Although Janie spends much of the book struggling to gain the right to speak her mind, she is not particularly notable for her eloquence. While at Barnard, she apparently told the anthropologist Melville Herskovits that, as he put it, she was “more white than Negro in her ancestry.” On her first trip back South to gather evidence of her native culture she could not be understood because of her Barnard intonations. About love, she knew the way it could make a woman take “second place in her own life.” Repeatedly, she fought the pull. Spices hung about him. Join Facebook to connect with Claudia Claudia and others you may know. Nanny’s immovable goal to see Janie “school out” meets its match in the teenager’s bursting sexuality. So she learned, in effect, to pass for black. Even nice!”. Ad Choices. “They steal everything here, even greens out of a garden.” But she became increasingly accomplished at ferreting out what she had been hired to find, and the results (if not always objectively reliable) have proved invaluable. See the complete profile on LinkedIn and discover Claudia’s connections and jobs at similar companies. “He done taught me de maiden language all over,” Janie says of Tea Cake, and there may be some truth to the tribute: Hurston had never written this way before, and she never rose to it again. In Wright’s account, her novel contained “no theme, no message, no thought.” By depicting a Southern small-town world in which blacks enjoyed their own rich cultural traditions, and were able to assume responsibility for their own lives, Hurston appeared a blithely reassuring supporter of the status quo. She labored over several books, none considered publishable. I know that it doesn’t really matter, and so my relations with others are easier.” Despite the possible exaggerations of a moment, this vibrantly attractive woman was well acquainted with what might be called the aesthetic burdens of race (“as ugly as Cinderella’s sisters” is a phrase meaning Negro, Hurston reported to Mrs. Mason), and she spared her romantic heroine every one of them. The Africans coming to America got it from them.”. Why can’t she go off alone?

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