The wrestler stands behind his opponent and bends him backwards. The wrestler then places his forearm under opponent's chin and armpit on top of it.

The wrestler tucks a bent-over opponent's head in between their legs or thighs. Known in combat sport as the "bicep slicer".[11][12]. While some stretches rely entirely on the acting ability of the opponent to sell them as painful or debilitating, many are legitimately effective when fully applied.

Essentially a reverse crucifix armbar with neck submission. Lance Storm also performs this move with both versions, including the regular Boston crab and single-leg Boston crab. …

The wrestler then reaches forwards and applies a chinlock as in a standard camel clutch, leaning backwards to apply pressure to the upper back and arm. Short for "stepover toehold sleeper", this hold is a modified version of an STF in which the wrestler wraps their arm around the neck of the opponent in a sleeper hold instead of pulling back on the head of the opponent. In this variation of a cloverleaf instead of turning around when turning the opponent over, the wrestler faces the same direction as the opponent to squat and lean forward to apply more pressure to the legs, spine, and abdomen. The nelson hold in professional wrestling usually takes the form of the full nelson, half nelson, or three-quarter nelson. Also, the highly motivated arrestee and/or the arrestee under the influence of certain drugs may continue to resist or fight despite the proper application of these techniques. The wrestler bends over with the opponent standing to the side of the wrestler. The wrestler then pulls the opponent's head backwards with their arms and the opponent's far leg outwards with their leg. This hold is closely associated with Bob Backlund who popularized the move in America.

The opponent is on their back, the attacker is facing away from his opponent and has his foot between their legs (often using a legdrop to the knee to initiate the move). Cheerleader Melissa adds an attack to the hold by stretching the opponent's legs so far that she is able to kick the opponent's head with their own feet. The wrestler then pulls back, stretching the opponent's back, neck, and knees. However, you lock the bent leg in place with the back of your left leg, reaching over and linking hands through the hole formed by the figure four.

He grabs hold of one of the opponent's arms, bends it backwards overhead, and locks its wrist into his armpit. While in the vise, the wrestler could control their opponent by the temples and bring them down to a seated position where more pressure could be exerted. The wrestler then uses his free arm to either push the arm, and particularly its radius bone, against the face of the opponent to cause pain, or wrap the arm around the neck of the opponent in a sleeper hold. The attacking wrestler traps one of the prone opponent's arms in their legs, wraps the opponents other arm under the attackers shoulder, and then applies the crossface. The Rock also used this move as his signature submission move by the name Sharpshooter. Popularized by Brutus Beefcake, Waylon Mercy, Dolph Ziggler Minoru Suzuki, and most recognized with Roddy Piper.

Backlund's version of the hold incorporates the bodyscissors portion. The wrestler then pulls the arm upward against the back of his opponent. The wrestler grabs the wrist of the opponent so that the arm is held bent against their back, and their hand is forced upwards towards the neck, thereby applying pressure to the shoulder joint.

With the same arm, the wrestler reaches around the ankle and through the opening formed by the legs, and locks his hands together as in a Cloverleaf. The wrestler darts his hand under an opponent's chin and grabs a hold of a pressure point above the throat, squeezing the nerve.

The wrestler then "scissors" (clasps) the near arm of the opponent with their legs and takes hold of the far arm of the opponent with both hands, forcing the opponent onto their side and placing stress on both shoulder joints, as well as making it harder for the opponent to breathe.

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